Nadir Eserler Konferansı II: Bildiri Özetleri Kitabı

Abstract

İÇİNDEKİLER DAVETLİ KONUŞMACI ........................................................................................................................... 1 BİLGİYİ KORUMAK VE BİLİMSEL GELENEKLERİ ŞEKİLLENDİRMEDE NADİR ESERLERİN KALICI MİRASI / THE ENDURİNG LEGACY OF RARE WORKS IN PRESERVİNG KNOWLEDGE AND SHAPİNG SCİENTİFİC TRADİTİONS1 Prof. Dr. Alparslan AÇIKGENÇ .......................................................................................................... 1 1.A. DİJİTAL DÖNÜŞÜM VE TARİHSEL ÇERÇEVE ....................................................................... 3 1.A.1. TÜRK MEVZUATINDA “NADİR ESER” KAVRAMININ TANIMI / DEFİNİTİON OF THE CONCEPT OF "RARE BOOK" İN TURKİSH LEGİSLATİON.................................................................................................................3 Prof. Dr. Alpaslan Hamdi KUZUCUOĞLU ........................................................................................3 1.A.2. NADİR KİTAPLAR FONUNUN DİJİTALLEŞTİRİLMESİ / DİGİTALİZATİON OF THE "RARE BOOKS" FUND 5 Hüseyn HÜSEYNOV.............................................................................................................................5 1.A.3. TÜRK DÜNYASININ ORTAK MİRAS KODLARI: TÜRKİSTAN TARİH YAZICILIĞINI İÇEREN İKİ YAZMA ESER / COMMON HERİTAGE CODES OF THE TURKİC WORLD: TWO MANUSCRİPTS INCLUDİNG THE HİSTORİOGRAPHY OF TURKİSTAN ................................................................................................................ 7 Dr. Mohammad RAZZAGHI................................................................................................................ 7 1.A.4. KÜLTÜREL MİRAS DİPLOMASİSİ VE İSTANBUL ÜNİVERSİTESİ NADİR ESERLER KÜTÜPHANESİ ÖRNEĞİ / CULTURAL HERİTAGE DİPLOMACY AND THE EXAMPLE OF ISTANBUL UNİVERSİTY RARE BOOKS LİBRARY..9 Dr. Selçuk AYDİN .................................................................................................................................9 1.A.5. FİZİKSEL MİRASIN DİJİTAL PASAPORTU: CUMHURBAŞKANLIĞI MİLLET KÜTÜPHANESİ NADİR ESERLER KOLEKSİYONUNUN DİJİTAL ENTEGRASYON ZİNCİRİ / DİGİTAL PASSPORT OF PHYSİCAL HERİTAGE: THE DİGİTAL INTEGRATİON CHAİN OF THE RARE BOOKS COLLECTİON OF THE NATİON’S LİBRARY .............11 Gülşah SİVAS .......................................................................................................................................11 1.A.6. MENTEŞEOĞULLARI DÖNEMİNDE YAZILAN NADİR BİR ESER: BÂZNÂME / A RARE BOOK WRİTTEN DURİNG THE MENTEŞEOĞULLARI PERİOD: BAZNAME................................................................................ 14 Dr. Nesrin KANBEROĞLU 1 .............................................................................................................. 14 Prof. Dr. Kadir PEKTAŞ 2 .................................................................................................................. 14 1.B. NADİR ESERLERDE DİJİTALLEŞTİRME VE YAPAY ZEKA ............................................. 16 1.B.1. GEÇMİŞİN ÇOCUKLARI, GELECEĞİN TEKNOLOJİSİ: OSMANLICA ÇOCUK DERGİLERİNDE KÖKLER VE KODLAR / CHİLDREN OF THEPAST, TECHNOLOGY OF THEFUTURE: ARTİFİCİAL INTELLİGENCE İN OTTOMAN TURKİSH CHİLDREN’S MAGAZİNES............................................................................................................. 16 Ayşe KASAP ........................................................................................................................................ 16 1.B.2. NAKIŞ DESEN KOLEKSİYONU ARŞİVİNİN DİJİTALLEŞTİRİLMESİ VE YAPAY ZEKÂ İLE DESEN MODELİ OLUŞTURULMASI / DİGİTİZATİON OF THE EMBROİDERY PATTERN COLLECTİON ARCHİVE AND AI-BASED PATTERN MODELİNG ................................................................................................................................. 19 Dr. Yasemin DAĞDAŞ ........................................................................................................................ 19 1.B.3. NADİR ESERLER VE ÖZEL KOLEKSİYONLARIN YAPAY ZEKÂ İLE DİJİTAL DÖNÜŞÜMÜ: KARŞILAŞTIRMALI BİR İNCELEME / DİGİTAL TRANSFORMATİON OF RARE BOOKS AND SPECİAL COLLECTİONS WİTH ARTİFİCİAL INTELLİGENCE: A COMPARATİVE STUDY ..................................................22IV Doğan ŞENGÜL..................................................................................................................................22 Merve DOĞRUEL ...............................................................................................................................22 Beyzagül YILDIRIM ...........................................................................................................................22 Seniye Ümit FIRAT.............................................................................................................................22 1.B. ARŞİV YÖNETİMİ VE İŞ ANALİZİ TABANLI BİR KAVRAMSAL MODEL: PAYDAŞ KATILIMIYLA BÜYÜK DİL MODELİ DESTEKLİ DİJİTAL MİRAS SÜREKLİLİĞİ / A CONCEPTUAL MODEL BASED ON ARCHİVAL MANAGEMENT AND BUSİNESS ANALYSİS: LLM-SUPPORTED DİGİTAL HERİTAGE CONTİNUİTY THROUGH STAKEHOLDER ENGAGEMENT ....................................................................................................................26 Beyzagül YILDIRIM ...........................................................................................................................26 Doğan ŞENGÜL..................................................................................................................................26 Seniye Ümit FIRAT.............................................................................................................................26 1.B.5. NADİR ESERLER VE KAFKASYA / RARE WORKS AND THE CAUCASUS.................................................29 Nurcan YILDIZ ...................................................................................................................................29 1.B.6. EL YAZMASI ESERLER: ESKİ HARFLİ TÜRKÇE BASMA ESERLER / MANUSCRİPTS: OLD TURKİSH PRİNTED WORKS ....................................................................................................................................... 31 Sinan İLBAK ....................................................................................................................................... 31 2.A. KURUMSAL KOLEKSİYONLAR VE VAKA ANALİZLERİ .................................................. 32 2.A.1. İBN HALDUN ÜNİVERSİTESİ KÜTÜPHANESİ YAZMA VE NADİR ESER KOLEKSİYONU ÜZERİNE BİR DEĞERLENDİRME / AN ASSESSMENT OF THE MANUSCRİPT AND RARE BOOKS COLLECTİON OF IBN HALDUN UNİVERSİTY LİBRARY.................................................................................................................................32 Alaaeddin EYÜPOĞLU.......................................................................................................................32 2.A.2. İSTANBUL MEDENİYET ÜNİVERSİTESİ NADİR ESERLER GALERİSİNİN YENİDEN ORGANİZASYONU / REORGANİZATİON OF THE ISTANBUL MEDENİYET UNİVERSİTY RARE BOOKS GALLERY ..............................34 Memduh DİNÇ ....................................................................................................................................34 Mehmet Kubilay SOYGÜDER............................................................................................................34 2.A.3. BEYAZIT YAZMA ESERLER KÜTÜPHANESİ NADİR ESERLER KOLEKSİYONU / BEYAZIT MANUSCRİPTS LİBRARY RARE BOOKS COLLECTİON...........................................................................................................36 Salih ŞAHİN........................................................................................................................................36 2.A.4. İBNÜLEMİN HAT KOLEKSİYONU’NDAKİ MURAKKA TÜRÜNDE ESERLER / WORKS İN THE MURAKKA STYLE İN THE IBNULEMİN CALLİGRAPHY COLLECTİON ...............................................................................38 2.A.5. MÜHENDİSHANE-Î BAHRÎ KÜTÜPHANESİNDEN DENİZ MÜZESİ’NE İNTİKAL EDEN NADİR ESERLER / RARE WORKS TRANSFERRED FROM THE NAVAL ENGİNEERİNG LİBRARY TO THE MARİTİME MUSEUM.......40 Mehmet AKYAR ..................................................................................................................................40 2.B. RESTORASYON KORUMA VE CİLT SANATI......................................................................... 42 2.B.1 OSMANLI DÖNEMİ BASILAN SÜRELİ YAYINLARDA GÖRÜLEN TAHRİBAT UNSURLARI VE RESTORASYON METOTLARI / DAMAGE ELEMENTS AND RESTORATİON METHODS IN PERİODİCALS PRİNTED DURİNG THE OTTOMAN PERİOD .....................................................................................................................................42 Nergis ULU .........................................................................................................................................42V 2.B.1 OSMANLI DÖNEMİ BASILAN SÜRELİ YAYINLARDA GÖRÜLEN TAHRİBAT UNSURLARI VE RESTORASYON METOTLARI / DAMAGE ELEMENTS AND RESTORATİON METHODS IN PERİODİCALS PRİNTED DURİNG THE OTTOMAN PERİOD .....................................................................................................................................44 Nergis ULU .........................................................................................................................................44 2.B.2. ARŞİV BELGELERİNİN RESTORASYONU: GELENEKSEL YÖNTEMLER / RESTORATİON OF ARCHİVAL DOCUMENTS: TRADİTİONAL METHODS......................................................................................................46 Yüsra MUTLU.....................................................................................................................................46 2.B.3. DUVARIN ARDINDAKİ HAFIZA: KEŞFEDİLEN MATBU VE YAZMA ESERLERİN RESTORASYON SÜRECİ VE TÜRKİYE’NİN İLK YERLİ RESTORASYON KÂĞIDIYLA TÜMLEME DENEYİMİ / MEMORY BEHİND THE WALL: RESTORATİON PROCESS OF NEWLY DİSCOVERED PRİNTED AND MANUSCRİPT WORKS AND TÜRKİYE’S FİRST EXPERİENCE OF FOLİO COMPLETİON USİNG LOCAL CONSERVATİON PAPER...............................................48 Şûle ALABACAK ÇAKIROĞLU ..........................................................................................................48 2.B.4. HACI SELİM AĞA KÜTÜPHANESİNDEKİ BULUT MOTİFLİ KİTAP CİLTLERİ / BOOK BİNDİNGS WİTH CLOUD PATTERNS İN THE HACI SELİM AĞA LİBRARY.................................................................................50 H. Şeyma YENİÇERİ ÇELİK..............................................................................................................50 2.B.5. ÜNİVERSİTE–HALK EĞİTİM İŞ BİRLİĞİ MODELİ OLARAK GELENEKSEL CİLT SANATI EĞİTİMLERİ: MEDENİYET VE MARMARA ÜNİVERSİTELERİ ÖRNEĞİ / TRADİTİONAL BOOKBİNDİNG ART TRAİNİNG AS A MODEL FOR UNİVERSİTY-PUBLİC EDUCATİON COLLABORATİON: THE EXAMPLE OF MEDENİYET AND MARMARA UNİVERSİTİES...........................................................................................................................52 Mustafa SULU ....................................................................................................................................52 3.A. YÖNETİM KATALOGLAMA VE EĞİTİM ................................................................................. 54 3.A.1. NADİR ESER KATALOGLAMASINDA YENİ MODEL: BIBFRAME / NEW MODEL İN RARE WORK CATALOGİNG: BIBFRAME ........................................................................................................................54 Dr. Öğr. Üyesi Canan ERGÜN ..........................................................................................................54 3.A.2. TARİHİ ESERLERİN DİJİTAL SÜRDÜRÜLEBİLİRLİĞİ: BEZMİALEM VAKIF ÜNİVERSİTESİ KOLEKSİYONU ÖRNEĞİ / DİGİTAL SUSTAİNABİLİTY OF HİSTORİCAL ARTİFACTS: THE CASE OF THE BEZMİALEM VAKİF UNİVERSİTY COLLECTİON ..........................................................................................................................56 Öğr. Gör. Özlem YALÇINKAYA.........................................................................................................56 3.A.3. GELENEKSEL CİLT SANATI EĞİTİMLERİNİN NADİR ESERLERİN KORUNMASINDAKİ ROLÜ: BOSTANCI HALK EĞİTİM MERKEZİ- ÜNİVERSİTE MODELİ / THE ROLE OF TRADİTİONAL BOOKBİNDİNG ART TRAİNİNG İN THE PRESERVATİON OF RARE ARTİFACTS: THE BOSTANCI PUBLİC EDUCATİON CENTER-UNİVERSİTY MODEL ......................................................................................................................................................60 Hülya NARSAP ...................................................................................................................................60 3.A.4. BEŞİKTAŞ DENİZ MÜZESİ NADİR ESERLERİNDEN BİR SANCAK ALBÜMÜ “GELENEKSEL TEZYİNİN BATI ETKİSİNDE SOMUTLAŞMA ÖRNEĞİ” / A FLAG ALBUM FROM THE RARE WORKS OF THE BEŞİKTAŞ NAVAL MUSEUM “AN EXAMPLE OF THE MATERIALIZATION OF TRADITIONAL ORNAMENTATION UNDER WESTERN INFLUENCE”...............................................................................................................................................62 Nalan YAKARÇELİK ..........................................................................................................................62VI 3.B. ULUSLARARASI PERSPEKTİFLER.......................................................................................... 64 3.B.1. METİN ÇIKARIMININ ÖTESİNDE: GÖRSEL EL YAZMASI ANALİZİ / BEYOND TEXT EXTRACTİON: VİSUAL MANUSCRİPT ANALYSİS .............................................................................................................................64 Hussein MOHAMMED.......................................................................................................................64 3.B.2. Nadir Türk Yazmalari Üzerine Yapay Zekâ Destekli Bir İnceleme: Dijital Çağda Edebî Mirasin Korunmasi /An AI-Assisted Study on Rare Turkish Manuscripts: Preserving Literary Heritage in the Digital Age................................................................................................................66 Gous Mashkoor KHAN.......................................................................................................................66 3.B.3. BAYBATIR YERJANOV’UN “OKUGA MAHABBAT” BAŞLIKLI KİTABININ GÜNÜMÜZ KAZAK TÜRKÇESİ AÇISINDAN İNCELENMESİ / ANALYSİS OF BAYBATYR YERJANOV'S BOOK "OKUGA MAHABBAT" İN TERMS OF CONTEMPORARY KAZAKH LANGUAGE ........................................................................................................68 Dr. Chingis BEGİMTAYEV ................................................................................................................68 3.B.4. NADİR EL YAZMALARININ KÜLTÜREL DİPLOMASİ ARACI OLARAK KULLANILMASI - VAKA ÇALIŞMASI: ROMANYA ARŞİVLERİNDEKİ OSMANLI BELGELERİ / RARE MANUSCRİPTS AS AN INSTRUMENT OF CULTURAL DİPLOMACY. CASE STUDY: OTTOMAN DOCUMENTS İN THE ROMANİAN ARCHİVES .....................................70 4.A. TÜRK İSLAM SANATLARI .......................................................................................................... 73 4.A.1. TİMUR DÖNEMİ KALEM-İ SİYAHÎ RESİMLERİ / TİMURİD PERİOD QALAM-İ SİYAHİ PAİNTİNGS ........73 Dr. Rıdvan AK..................................................................................................................................... 73 Prof. Dr. Ali Fuat BAYSAL ................................................................................................................. 73 4.A.2. TÜRK VE İSLAM ESERLERİ MÜZESİ'NDE BULUNAN CELÂYİRLİ HÜKÜMDAR SULTAN AHMED’E AİT DÎVÂN'IN TEZHİPLERİNİN İNCELENMESİ / AN ANALYSİS OF THE ILLUMİNATİONS OF THE DĪVĀN OF THE JALAYİRİD RULER SULTAN AHMAD İN THE TURKİSH AND ISLAMİC ARTS MUSEUM .................................... 75 Dr. Öğr. Üyesi Ayşe Zehra SAYIN..................................................................................................... 75 4.A.3. KIYÂFETÜ’L-İNSÂNİYYE FÎ ŞEMÂİLİ’L-OSMÂNİYYE İSİMLİ ESERİN TEZYİNİ ÖZELLİKLERİ / DECORATİVE FEATURES OF THE WORK TİTLED "KIYÂFETÜ’L-İNSÂNİYYE FÎ ŞEMÂİLİ’L-OSMÂNİYYE"......... 77 Doç. Dr. Çiğdem ÖNKOL ERTUNÇ................................................................................................... 77 Melike ÖZÇETİN................................................................................................................................. 77 4.A.4. HATTAT MEHMET AZİZ RİFÂİ’YA AİT BİR NADİR ESER / A RARE WORK BY CALLİGRAPHER MEHMET AZİZ RİFAİ .................................................................................................................................................79 Nihat KAĞNICI...................................................................................................................................79 4.B. EDEBİYAT VE DİJİTAL ANALİZ ............................................................................................... 81 4.B.1. BİR TEZKİREYİ VERİ OLARAK OKUMAK: LATÎFÎ TEZKİRESİ’NİN JOHN RYLANDS KÜTÜPHANESİ NÜSHASINDAKİ ŞAİR KAYITLARINA DAİR BİR ÇALIŞMA / READİNG A TEZKİRE AS DATA: A STUDY ON THE POET ENTRİES İN THE JOHN RYLANDS LİBRARY MANUSCRİPT OF LATÎFÎ’S TEZKİRE .................................. 81 İ.Tuğçe DURMAZ................................................................................................................................ 81 4.B.2. NADİR ESERLER VE OSMANLICA METİNLERDE BENZERLİK TESPİTİNİN SINIRLARI: TURNİTİN ÜZERİNE BİR İNCELEME / LİMİTS OF SİMİLARİTY DETECTİON İN RARE BOOKS AND OTTOMAN TURKİSH TEXTS: AN EVALUATİON THROUGH TURNİTİN...........................................................................................83 Onur SELÇİN ......................................................................................................................................83VII Raşit SÜZER .......................................................................................................................................83 4.B.3. GELENEKSELDEN DİJİTALE: MA‘KILİ YAZININ NADİR ESERLERDEKİ İZLERİ VE GÜNÜMÜZ TEKNOLOJİLERİ / FROM TRADİTİONAL TO DİGİTAL: TRACES OF MA‘KİLİ SCRİPTS IN RARE WORKS AND TODAY’S TECHNOLOGİES............................................................................................................................85 Öğr. Gör. Şerife ÇAKIR ......................................................................................................................85